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Yazidi Cultural Archives

The Yazidi Cultural Archives project aimed to improve the mental health of female Yazidi survivors through participation in a series of artist-led workshops and a multi-media digital archive of Yazidi cultural heritage at risk.

Project Dates

Sep 2021 - Dec 2022

Project Location

Northern Iraq

Sample Participants

16

Target Group

Female Survivors of the 2014 Genocide perpetrated by the Islamic State (ISIS) in Northern Iraq

Project Initiators

Partners

Key Research Questions

  1. What is the impact of Yazidi art and photography workshops on the mental wellbeing of Yazidi women survivors?
  2. What is the impact of creating an archive of Yazidi Culture on the emotional wellbeing of participating Yazidi women, trainers, and staff?
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Project Story

The Yazidi Cultural Archives project aimed to improve the mental health of female Yazidi survivors of the 2014 Genocide perpetrated by the Islamic State (ISIS) in Northern Iraq. The project incorporated (i) the delivery of a series of artist-led workshops and (ii) the creation of a multi-media digital archive of Yazidi cultural heritage at-risk. The Yazidi Cultural Archives project aimed to improve the mental health of female Yazidi survivors of the 2014 Genocide perpetrated by the Islamic State (ISIS) in Northern Iraq. The project incorporated (i) the delivery of a series of artist-led workshops and (ii) the creation of a multi-media digital archive of Yazidi cultural heritage at-risk.

Project Trailer

Context

In August 2014, the so-called Islamic State (“ISIS”) committed genocide in northern Iraq. ISIS targeted the minority communities in the country, especially the Yazidis. This systematic persecution led to the summary killing of an estimated 5,000 Yazidis, the abduction of an estimated 6,800 Yazidis, primarily women and children, and the forced conversion of countless Yazidis. This genocidal campaign saw the destruction of 68 Yazidi religious and cultural sites, and the forced displacement of an estimated 400,000 Yazidis from the Sinjar district alone.

Project impact

This Yazidi Cultural Archives report lays the foundation for a more rigorous evaluation, to be undertaken by the newly established Jameel Arts & Health Lab, to assess the impact of the published archive on the mental health of female Yazidi survivors. Key research questions were integrated into phase 1 and 2 of the project in order to collect data for use in the final evaluation which will be published on the Jameel Arts & Health Lab website in December 2023. The JAHL Yazidi Cultural Archives evaluation aims to build on previous WHO reports exploring the measurable health benefits of the arts, and will draw upon two previous WHO reports exploring the evidence base for the health benefits of the arts:

The Survivors

16 Women Survivors were selected to participate….

Workshops

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Art Workshops

Participants were taught basic skills for using a variety of mediums. To start, each was given a sketchbook for drawing with a pencil on paper. Later, they worked with oil paints, mixing colours and applying these to canvas.. In response to requests to depict personal experiences, the art trainer supported survivors in painting and drawing their experiences and emotional responses to ISIS captivity.

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Photography Workshops

Technical and theoretical photography lessons were designed to teach participants how to handle a camera and develop their photographic eye, including composition and lighting their subjects. During the lessons, the trainer explained key points about holding and operating a camera – ISO, shutter speed, aperture, white balance, adjusting colours, angle of view, focus, and zoom – and Photoshop basics. These skill-based lessons lay the foundation for on-site workshops that were conducted during a series of field trips.

Featured Film

Nobody's Listening – VR exhibition advocates for support of the Yazidi community after the Sinjar massacre.

3 August 2021 marked the seventh anniversary of the Sinjar massacre. Islamic State (also known as ISIS or Da’esh) systematically targeted ethno-religious minorities residing in Sinjar and on the Nineveh Plains. Seven years on, much still needs to be done to support the Yazidi community’s recovery

Project Outreach

Testimonials

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"Nobody's Listening is a tribute to the courage of the survivors of genocide and amplifies their call for justice.”

Amal Clooney
International Human Rights Lawyer

"Research shows that both active and passive engagement with the arts can support the mental well-being of people who have been forcibly displaced. That’s because arts activities can improve self-confidence, promote social inclusion, and help to preserve personal identity."

Nils Fietje
Technical Officer,
WHO European Region

“Supporting all victims, acknowledging their suffering and ensuring that they have access to proper accountability processes constitutes an essential requirement for trust-building, healing and reconciliation. This is especially true in post-genocidal societies. There should never be any space for denial of their suffering nor of the crimes committed against them. Art and virtual reality contributes to bring their experience to the open, and with it their collective plea to redouble our efforts to ensure that such crimes are never committed again. This call must never be ignored.”

Alice W Nderitu
UN Special Adviser,
Prevention of Genocide

“The Yazidi have not recovered from the genocide and are facing a break in their community, which is also evident in the increase in suicides. It is a signal, a cry for help that is not being heard. Every suicide is a tragedy and suicides are preventable.”

Dr Jan Ilhan Kizilhan
Psychologist working with Yazidi Communities
January 2021

Next Case Study

Jameel Arts Health Lab 4

Music and Motherhood

A WHO-led implementation study built around group singing sessions specifically designed for mothers who experience postpartum depression (PPD). The project was conducted in 3 WHO/Europe Member States; Denmark, Italy and Romania; to determine the feasibility of implementing the intervention in different cultural contexts.

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